Fear has many eyes and can see things underground. –Miguel de Cervantes
Homalonotids are well-known fossils of Silurian and Devonian age from around the world. Despite occurring in deposits alongside other more typical-looking trilobites, they have a number of unusual features.
Many specimens show “indistinct trilobation,” giving them a streamlined torpedo-like appearance. They generally lack spines, although some “Burmeisteria armatus” (aka “Elvis”), widely faked and composited specimens from Morocco, apparently have short, stout spines. Such streamlining (in all but Elvis) could be used to make a case for a burrowing lifestyle.
What gives pause to the notion of burrowing, however, is the pitted orange-peel texture exhibited by some species. There are a variety of types of pores and canals, often associated with bumps or pustules, that perforate the exoskeletons of trilobites. Interpretations of the functions of these structures vary and include openings for the diffusion of oxygen, a chemosensory function, secretion, and most often setae (hair-like filaments or bristles) that could have had a protective or sensory function.
Presence of bristles over the surface of the body would seem to be at crossed purposes with a burrowing lifestyle where smoothness would most helpful. Perhaps the pores of such animals as Dipleura just allowed easier diffusion of oxygen through the shell to the gills below and are unrelated to setae. Maybe a secreted slime layer flowed through the pores and allowed easy movement through a gritty substrate. Or perhaps they were for setae–but allowed a buried, often immobile, animal to sense prey or predators in the surrounding sediment. We will likely never know.
In the seascape of my imagination, though, homalonotid trilobites like Dipleura were covered in hairs like giant asp caterpillars wandering the seabed. Perhaps, like asps, these trilobites, too, were venomous–offering up the most unpleasant possible mouthful for any passing monster cephalopod or placoderm.
©2017 Christopher R. Cunningham. All rights reserved. No text or images may be duplicated or distributed without permission.